FEELING ALL F****D UP?…

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How do you feel? Are you okay? What happens when you’re not? When you feel all f****d up, you think to yourself “all I do is sink into my impending coffin”....

What do you do?...

Even those at the height of their euphoria, surely are affected too as the dramatic war/death-march bang of the drums and underlining bass to flickering lights, floats over the audience in a pent-up frustration-filled mist, as the band makes their grand entrance. This sets the perfect tone for what comes next.

Joel’s rapturous screams and the heavy minor tones in the first two songs (the second of which I’m fairly sure is new single ‘All My Friends Are Dead’ off the band’s upcoming album) build up the heat and aggression exponentially, which the crowd seem to consume as intended! Cleverly, the first two songs are powerhouse slaughters, screams of desperation, whereas the third song still keeps the energy at a red-hot fever-pitch, with constant movement of stage from the band, weaving through and around complementing lighting, which gives an emphasis to the frustration/desperation/angst feelings of the music. However, this song introduces Ahren’s clean more-melodic vocals as well as some free-falling piano droplets in the chorus after the wailing guitar riffs and aggressive scream vocals in the verses. This I feel puts more emphasis on the desperation. I have a feeling I’m on the money with the intent of the essence one feels in this song, as in the more pleading desperation of the chorus, both Joel and Ahren support each other perfectly in both sound and on-stage charisma, which makes one another stronger. So when Ahren reaches out to the audience to offer a hand in singing in the bridge section, it hits home hard!

The aggressive screaming vocals, rapid pounding drums seeming to emulate a rushing heartbeat, thick commanding bassline and razor-sharp guitar riffs that cut deep. Plus the acoustics of the venue don’t seem ideal, as I took note of the shiny wood flooring in which my cane slid across as I entered, and from what I can see, it’s a rather large venue. I can tell this as I can hear the sounds echoing off the walls and up the back… recipe for disaster. Just like a glimmer of hope, a slither of positivity, a lifeline if you will, in a terrible situation, these speakers are capable enough to hit us with the full-force of the bands punch (musically) AND keep perfect clarity, even at such high volume! But the real saving-grace is the sound mixer, who clearly knows this venue and/or the bands sound! Despite the reflective surfaces which the sound bounces to-and-fro in their own invisible moshpit, but the sound mixer prevails to my immense relief!

The mood is shifted slightly to a more uplifting hopeful essence with ‘Shine On’ and its anthemic easy to sing- along-to chorus. But when after ‘Shine On’ comes ‘Ivy (Doomsday)’ it maintains an anthemic power in the chorus, uplifting the energy in the crowd, whilst still delivering a serious, overwhelming potency in the songs core.

Now that this reckoning is in full effect, the crowd is hyped up to extreme levels, making me very thankful I chose to steer clear of the centre of the barrier! (two metres to my left is all hell breaking loose!) The security can’t keep up with the constant flow of crowd surfers, especially in crowd favourite songs like ‘Pittsburgh’, ‘I Take The Weather With Me’ new hit ‘Soak Me In Bleach’ and the grand finale of ‘All F****d Up’, seriously, as I watch the line of crowd surfers exiting/walking in front of the barrier, it seems as though half a dozen all came out simultaneously! No wonder the heat in here is extreme!

Instead of going on and on with how the band smash out all the songs to perfection, well, I do believe Ahren struggled a little in one of the choruses of the later songs, but I’ll turn a blind eye, but all you need to know is this…

Consistently throughout the set I, and I’m sure the rest of us here, are reminded of the power of music, friends, family and everyone around us to help guide us through dark times. The band display this perfectly with the way Joel and Ahren lean on each other and complement each other, as well as the band reaching out to their audience to help with singing key lines, letting the crowd sing lead whilst Ahren sings harmonies in the verse of one song drawing near the sets close, and melodies in strategic intervals, bringing an uplifting positive power to the heavy somber darkness of the songs’ meanings, in a perfect paradox!

How do you feel? Are you okay? What happens when you’re not? When you feel all f****d up, you think to yourself “all I do is sink into my impending coffin”....

What do you do? Reach out, ask for help and draw strength, courage and support from those around you like The Amity Affliction.

Music brings us together...



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