The Living End @ Metro Theatre Sydney 16/05/25

G’DAY AFLIE

Oi, take a look any this cracker of a gig why don’t ya! Aussie punk rock pioneers and all-round bloody legends in the Aussie music scenes history, The Living End, have surprised fans, me included, with the news of a new song titled ‘Alfie’, the first new music in a whoppin’ 8 years. To celebrate, the band have announced two intimate shows, one in Melbourne and the other in Sydney, just in case this reviews title of where the show’s at confused anyone. The living end have been an integral part of my life in the concert scene, and I was only introduced to the amazing life of live music in 2008, these guys have been an integral part of so many more folks lives for a lot longer, putting on unforgettable high-energy rock shows.

It really is like reconnecting with an old mate after several years, so let’s see if time much has changed between us and our good ol mates…

so first off, this gig sold out well before the show, even with only having a week’s notice, so there’s a lot of us looking forward to reconnecting with good ol’ Uncle Harry, and this is confirmed by the packed line outside the venue of fans eagerly awaiting doors to open and then to fill the dance floor, not that you really “dance” at a sweaty pub rock gig like this.

Photos by Jif Morrison

The band start with quite frankly, a bloody-ripper ‘Roll On’. This song is met with the whole venue singing along to every word like no time at all has passed. The band are also exactly on point in sound and energy like they were always when they played at every festival, back when festivals actually existed in Australia, as well as pumping out there own albums and tours from what I can ascertain, but the night is still young.

Without giving us a single second to finish cheering roacusly after ‘Roll On’, the band charge straight into fan favourite ‘Second Solution’ kinda ironically named second song of the night. Still, no fault from the band dishing out the gritty pub rock vibes like the old days, and the crowd reciprocates nicely!

ok ok, there needs to be a bit of give in the energy at some point right? Nah, well kinda, as the band tear through their vast catalogue of hits like ‘All Torn Down’, ‘White Noise’ and’Bloody Mary’, the musical energy, and so too the bands, changes yeah, with being more extreme and crunchy at-Peanut Butter at times, to levelling out slightly in other songs, so the band don’t bloody pass out I guess, the over-all energy even from those ever-so slightly tamer songs like ‘Bloody Mary’, still exude a potent presence, adding to the nights climate.

All of this is while the band, lead by lead singer Chris, interacts with the audience on a personal level, like reading out aa girls in a wheelchair’s sign saying it was the first time she’s seen the band, and she’s loved them ever since she was 2. Chris talks to the hardcore fan, then to us, telling us stories about their career as a band, and of course performing their new track ‘Alfie’, which even though it only came out yesterday, everyone’s singing along too as if it’s a golden oldie from the band.

One very impressive classic move from The Living End, is Chris climbing up onto bassist Scott’s big double bass during the bridge section of cult classic, ‘West End Riot’. I was wondering if the band would still pull it off now, I mean c’mon, they’ve been at this for a time or two, pumping out the hard yacker, but they don’t disappoint, and better yet, don’t fall on their asses!

Now all good things have to come to an end, and a high velocity rock gig can only stay high velocity for so long, and I think if they dragged it out any longer I personally would’ve started losing enthusiasm, so finishing off the show with Aussie rock anthem ‘Prisoner Of Society’ then to cap it all off on a cracker of a feel good anthem, ‘Uncle Harry’ (I’m sure it was certainly a feel-good moment for old Uncle Harry, pissin in the bath after a few too many), it felt like a very satisfying gig!

Even though a few of those lower energy tracks might not’ve been my favourites, in an objective way I can’t fault the show, I only wish the band chucked in ‘Who’s Gonna Save Us’ and ‘Wake Up’, but there’s so many classics from these lads some are bound to miss out.

I absolutely love how you can go a few years without listening to some songs, but as soon as they start pumping, it thrusts you back in time as if no time has past, just like reconnecting with old mates!

Just grab a beer throw your arm around that mate, raise your glass and you’ll be right mate!

Pier Street Party, Frankston 24/02/2018

LET’S PARTY!

Pier Street Party, Frankston VIC Australia 24/02/2018

Come party down where the city meets the sea, right near the magic fountain, here in Frankston for this year’s Pier Street Party! With a line-up featuring Aussie hip-hop heavy-weights Thundamentals, party favourites Art Vs Science, garage indie-rock legends Gyroscope, alt-rock escape artists The Getaway Plan, attention demanding indie-rockers Rackett and fresh hip-hop artist Jesswar, I’m sure today will make us all feel alive! .....the bar near by may contribute to that as well.

Ready or not, here we go!

To my surprise, Rackett are up first instead of originally intended opener Jeswar, so upon entry to the party, I’m a little anxious as we’re slightly late for when Rackett are scheduled to start. Luckily however, the bands haven’t started yet for some reason, then I realise that this is likely due to the absence of people in the party as yet, which is unfortunate for Rackett as they’re a band not to be missed! Just as I stroll to the front barrier and get set up, the band now start to wow the small crowd that turned up early! Lead singer Bec starts the set by saying hi to us, which normally at a show deflates the hype, but in such a casual intimate setting as this however, it goes down well to connect with us from the get go. As the music is launched in the first song, the musical energy is powerful and with Bec groovin’ around the stage straight away, it awakens our attention nice and early. Unfortunately however, the sound mixer has done a poor job mixing the vocals, so hearing Bec’s dynamic voice is a challenge sadly!  Moving further along, attention is demanded even more, with the sound changing from pop-rock with catchy vocal hooks, to a more pop/punk vibe with slightly clearer vocals likely thanks to Bec putting more force into them, plus killer guitar riffs, and as the vibe reaches it’s peak nearing the sets’ end, Bec jumping off the stage, sitting on the barrier next to a certain super-attractive blind guy, which Bec must agree with, seeing as she sings to me, I mean him, while caressing his face with her free hand, then leans down and kisses me, stimulating my full attention in all sorts of ways. Bec goes on to share the love around with the rest of her audience, running a random girls hand down her front, singing with people and just busting a move in front of the barrier, demanding everyone’s attention, and drawing people closer to the front.

Now all my blood has returned to it’s regular parts of my body, I’m going to go take a wander and scope out this place. The area is small, and basic which is good as far as me navigating it, with a few typical festival food options (burgers, pizza, hot dogs etc) a bar and a merchandise stand surrounding the standing area with park benches at the back to chill out and eat at, and if this isn’t good enough for you, we are right outside Pelly Bar, with more beverage and seating options. This may surprise you, but I am only human, so now would be a good time to sample some of the food and alcohol on offer here and chillax while Jesswar take to the stage, before the big guns come out and I park myself at the front barrier like a true groupy.

Jesswar’s gangster rap is getting peoples’ attention as they continue to enter the event, but for me, it’s getting a little repetitive and isn’t living up to the hype that Rackett left. 

After refuelling, I’ve returned to the front barrier ready for The Getaway Plan, which is lucky as the crowds are really starting to roll in and near full capacity. The Getaway Plan too start the show with a greeting to their fans, but while an eery bass carries Matt’s voice, keeping the excitement high. The Getaway Plan put on a brilliant high-energy performance filled with awesome guitar riffs and hooks and the band all rocking out on stage enthusiastically, but unfortunately, the sound mixer has again stuffed up, making Matt’s incredible voice which differs in range and dynamics very hard to hear hidden below the rest of the bands’ sound.... I honestly think people can probably hear my singing more clearly then Matt’s... those poor sods. The Getaway Plan’s set features a brilliant blend of old and new hits, flowed well to vary the energy levels at strategic intervals, plus the addition of the song ‘Lovesick’ which the band haven’t played live since their 2013 ‘Lovesick Tour’ to my knowledge, and got the crowd rocking out and energised, but the poor sound mixing with the vocals let the otherwise epic set down dramatically to my deep disappointment!

Now for Gyroscope to ride the hype The Getaway Plan left for them. The crowd is starting to get quite rowdy with the occasional random drunken statement being shouted at the band and peoples’ balance getting a little unstable, this’ll be interesting! The band start the set with a bang, with the bands’ energy at a blazing hot high, but the sound mixer has done an even worse job mixing the vocals for Gyroscope sadly! This hasn’t let down the excitement in the crowd around me though, it’s still extremely positive and lively, made even more-so when the bassist jumps off the stage, stands on the front barrier step, leans back against the audience and continues to play, bringing the excitement up to climactic levels! .....to be honest, I really don’t know which band member it is leaning against the crowd holding a guitar of some sort, for all I know with my limited sight, it could just be a security guard that’s nicked a guitar from the band and felt like putting on their own show? Whoever that party animal is, it raised the hype well in the first song that’s carried throughout the bands’ set! As the set goes on, we are hit with some easy to dance to beats with enticing guitar hooks and seriously muffled vocals, which I can’t properly comment on sadly, as I can’t freakin’ hear them! Oh there they are! I can now JUST hear the vocals in a couple of songs, luckily being my two favourite, but even still, it’s far from level with the other sounds and beyond being able to comment analytically on. Even with the lack of vocal clarity, the audience still manage to sing along... somehow, and the easy to dance/jump to vibe is exploded with the band flowing one of their songs into Midnight Oil’s ‘Beds Are Burning’ in the songs’ bridge before returning to it’s original song, being a definite crowd pleaser!  The lead singer now throws an energy grenade into the audience, as he jumps off the stage in the bands’ last song, and proceeds to stand on top of the front barrier in an instrumental section, grabbing peoples hands in the audience riling everyone right up for a big finish! I can’t help but notice seeing as the lead singer is standing on the barrier right next to me, that his pants are down a little with his nickers showing slightly, and I’m so tempted to slip a business card in the top of his undies just above his ass for him to discover later. 

Now that everyone’s here and got their party hat on and are filled with obscene amounts of grog, Art Vs Science with their party-anthem hits should go down nicely! For the first few songs, the bands’ energy is a little withdrawn to my surprise, as I was expecting the energy to start wild and get all sorts of crazy as the set progresses. Oh wait, here we go, it’s taken a few songs, but  the band are really starting to bust out some moves now, with the lead singer shakin’ his tail feather around across the front of the stage, and instigating clap alongs to get the crowd involved and right in the palm of the bands’ hands! Thankfully, the sound mixer has done a much better job with the vocals this time, and are only slightly not loud enough, which makes the music so much more enjoyable! The band keeps things interesting throughout the set, from playing an awesome cover of Muse’s ‘Knights Of Cydonia’ which gets the crowd jumping and resembling a full-on mosh, closing any space I once had here at the front, to flowing a classic Art Vs Science favourite into The White Stripes’ ‘Seven Nation Army’, which gets the whole crowd singing the iconic bass hook and really rocking out hard! When the band finishes their set filled with exciting retro grooves, rock hooks, and anthemic party tracks, it’s left us all wanting more, and wishing the band had another few songs to give us!

Now that the sun has set, and the only act left for the party is headliners Thundamentals, the crowd is really getting rowdy and a little too enthusiastic in anticipation for these growing hip-hop masters, that a lot of people came to this event especially for! The band start the show with the energy elevated straight away to then be sustained for the rest of the set. The sound mixer has done well for Thundamentals’ sound, and their skills as a sound mixer are obviously intended for hip-hop rather than rock, because both rappers, the DJ and the drummer’s sound are all set evenly and at a nice level! The band connect with their fans brilliantly, instigating clap alongs and sing alongs in songs, and talking to us between each, giving us insight into the songs’ story/meaning and revving us all up with “are you f***in’ with us?!” And “give it up for our DJ/Drummer!” Etc. The songs in the set flow nicely from gangster rollers to cruisin’ smooth-criminals, to up-beat party-poppers that keep the audience singing along all the way from the start to finish. Randomly after one song, I’m greeted with someone standing right in front of me on the other side of the barrier saying hi to me, and asking if I’d like him to sign that (I’m assuming referring to my note pad). Again for all I know it could be that cheeky security guard that wants to take advantage of my lack of sight and pretend to be a part of the band? I’m a little stunned, and really didn’t see this coming.... in any way shape or form, so I turn to a new page in my note pad and let the guy autograph it, hoping I don’t read some random security guards signature later. The band continue to deliver high-intensity hip-hop anthems that get everyone bouncing and throwing their raised arms from side to side at the bands command, and gets the girls all sitting on random peoples’ shoulders for a better view, filling the area with incredible amounts of positive energy! Even as Thundamental's sound isn’t my preferred style, when the band finish up, I’m glad they give us just one more to close the night on a high and leave me feeling satisfied!

All in all, the sound mixers shoddy mixing in the most parts was quite a let down, but even still, today was a bloody good time, and even with everyone getting a little loose and intoxicated, there were no issues/incidences to ruin a good time! Art Vs Science were a definite highlight for me, and if the sound mixer did a better job for Rackett, The Getaway Plan and Gyroscope, it would’ve been an absolute ace of a day.

Lawrence @ Metro Theatre, Sydney 22/01/25

TIME FOR SOME FAMILY BUSINESS

Welcome to the family business right here with the soulful pop sensation that is, LAWRENCE.

Let me break it down for y’all, lead by siblings Clyde and Gracie Lawrence, this eight-piece pop/soul bands use of smokey, seductive and even moving use of brass and Clyde’s voice combined with dazzling ,energetic keyboard-lead pop elements with the funkiest of beats from drummer Sam, topped-off by Gracies incredible voice is testament to why despite this being the first time the band’s performed in Australia, both Sydney shows completely sold out well before these shows

The venue fills very quickly once doors open, and judging by the shrill excitement buzzing around me on the dancefloor, I’d normally expect this to be an indication of lots of pushing and getting all-up and personal with those around me, which I mean, if dinner and a drink is offered I normally don’t mind, but we’ll see. Luckily however, everyone around me is really polite, in good spirits and respectful of one another, it's a very good starting canvas for tonight!

So let’s start adding some colour and ‘zaz’ to that canvas shall we?

I honestly was dragging my feet a bit to bring me to the show tonight, I guess I just had a bit of start-of-year exhaustion, but straight away in opening song, touring album title track, ‘Family Business’ brings all those elements afore mentioned in my opening paragraph, and honestly, I can’t not smile and shake my booty, most likely to the horror of those behind me, but seriously you can’t not move to this funky music!

Clyde and Gracie interact with their audience from within their second song, and sustain the connection throughout the set, which is quite a lengthy one, filled with a beautifully curated blend of all the bands elements, highs, lows, sass, bite and everything in between.

I honestly am new to the bands’ music so I’m not too familiar with a lot of their tracks, but it really doesn’t matter, my interest, fascination and bum-wiggle stays throughout!

The sound you ask? Honestly, I can’t fault it, both from the sound mixer and the band! Both Clyde and Gracies vocals are nicely highlighted at the forefront of the sound, and I’m in awe in particular of Gracies voice! Going from happy, uplifting, attention-holding, to sassy, seductive, smokey, to larger than life brow-raising highs and deep serious melancholy.

The only somewhat negative thing I could say about the show, was I didn’t see a lot of movement of the band members. My friend did say after the show that Gracie did move around a lot, but still within her section of the stage. To be honest though, being an eight-piece band who need as much of their breath/energy for their instruments/vocals doesn’t leave a lot of space for moving around I wouldn’t imagine.

At the end of the day, the best most accurate thing I can say about one of Lawrence’s shows, is you can’t help but smile, get lost in the infectious blend of stunning sounds and dance shamelessly, ‘cause everyone else are too!

Definitely keen for the band to return to Australia, and I just hope wherever they perform, the venue has enough space for me to bring some of the friends to really well and truly break-out the dance moves!

Kane Brown 'In The Air Tour' @ Qudos Bank Arena Sydney 19/11/2024

GAME ON!

U.S country-pop superstar, gamer and all-round winning-guy, Kane Brown, has landed back down-under for his biggest Aussie tour yet, for his upcoming album ‘High Road’.

This champion was last here in 2022 for his headlining spot at Brisbane’s CMC Rocks Award Ceremony, plus a few extra stops around the country which launched Kane’s Aussie following straight up the high road to incredible heights, resulting in fans demanding his return!

I’m not usually into country music admittedly, but when my best mate saw him in 2022 and played his music for me, it intrigued me and caught my attention, so I guess I’m kinda like the villain in this game.

Let’s see if I can be turned from the dark side of the musical force…

So let me lay out the battlefield for y’all, I’m at the front barrier along the catwalk coming out from the middle of the main stage, well and truly impressed and warmed up by supporting artists Katie Bell and Cemeron Marlo, particularly Katie, as are the rest of the audience by the level of enthusiasm around me, and then it’s Kane’s turn.

Ima break this down into aspects, I guess kinda like Lego blocks.

First, the sound. At the front barrier of a concert, I opt for wearing my custom earplugs with their live music filters to both take the distorting edges of the sound to balance things out and make things generally more enjoyable, and of course, to protect my ears from damage. Tonight, yes, I do have my ear plugs in, but loosely, I ALMOST don’t need them. The sound is uhm, a bullseye, K.O, killshot, basically just insert whatever gamer adjective suits you. All sounds, Kane’s warm seductive vocals, the drums, piano, guitar and violin are all even and really well balanced for optimum enjoyment which, at the end of the day, is the most crucial aspect of a concert, the music.

But wait, THERE’S MORE! More? Yes Oliver Twist, more. Judging by the heat off to my right at parts, and that influx of light, I’m gonna go out on a limb and say that’s pyros coming up from the main stage. This, added with confetti blasting a couple of times and screens and pretty lights, it adds a nice layer to complement the music just like the graphics of a game, so that’s pretty awesome.

Thirdly, throughout the show which is nicely flowing from song to song for its energy and feeling to rise and fall strategically in parts, without losing the crowd's attention even in the lower parts, which I was honestly thinking that would happen for me as I’m not exactly a “country” fan, but no, it’s keeping even my attention… wait, where was I going with that, my attention span isn’t good sorry. 

Oh that’s right, even throughout the strategic song choices, it’s not just Kane strutting up and down the catwalk in front of me, apparently the guitarist and violinist are too, and not just once. I really like this, as a lot of the time it’s just the lead singer making use of the catwalk at shows and the rest of the band are back on the main stage left in the background, relatively unappreciated.

And finally, Kane’s nicely connected with the audience pretty constantly during and between songs, not personally connected with individuals that make some rare concerts truly special, but it’s far from fake with the way he connects with us.

All in all, the sound was pretty damn on-par, the stage setup and effect/niceties added a nice frosting to the cake, the length of the set was satisfying without dragging it out past the audience's expiration date, and the stage presence from Kane and his band were pretty damn ace too!

AND no cliche planned encore, just playing all the songs and telling us/getting us all pumped for the actual last song.

So, in summary, for someone who’s not really into country music, I’m actually going out of my way to play Kane Brown on my speakers now and finding it quite enjoyable, he balances country with pop and rock nicely! 

So I guess you could say this is that scene in Return Of The Jedi, where Darth Vader sacrifices himself to save Luke from Palpatine, ending his dark tyranny for Luke.

Amaranthe ‘The Catalyst World Tour’ @ Metro Theatre Sydney 30/8/2024

The Catalyst Is Here!

The Catalyst is nigh, bringing forth the Drop Dead Cynical essence of Swedish heavy-metal mastery in its primal form that is Amaranthe! Amaranthe have been unleashing their glorious multi-genre-infused metal in all its ferocity, upon the Digital World since 2008, building up a strong, everlasting army of fans far and wide, but have yet to bring the Viral force down under… until now.

The feverish excitement is palpable throughout the venue as the band emerges shrouded in a mist of cinematic sounds and light, as they charge full-headed into opening songs, ‘Fearless’, my personal favourite ‘Viral’ and fan favourite ‘Digital World’. These songs ignite a fierce intensity of energy both on stage musically and in the wild blur of movement, and in the crowd's response. 

Despite the rowdiness of the fans and the “undesirable nature” of a couple of them that I perceived from their carrying on before the show started, and the way everyone rushed into the venue yelping and squealing like wolves (which made me opt for off to the side of the front row rather than smack-bang in the middle, since I do value my bones not being shattered), the crowd are all really, well… unexpected.

I’m reminded of how despite what most may think about the heavier genre’s, fans are generally respectful of one another and all just want to have fun, enjoy some expressive, powerful music and release some stress and quell some inner demons and the general shit of life, because in one way or another, we all have them, and metal music is the perfect way of coming together with loved-ones and complete strangers to connect and share the burden on day to day life, picking up everyone if they fall, and giving a jolly-big grin and your middle finger up at life.

From start to finish, the way the band all feed off each other's energy, amplified by us in the crowd and vice versa is nothing short of mesmerizing! Especially the synchronicity of all three vocalists, Elize, Olaf and Mikael, all shining in their own glory, with Elize like a hauntingly beautiful yet no less fierce primal goddess, soaring around the intense wrath of Mikael’s draconic roar, searing our senses. Finally, charging and prowling between these two enchanting powers comes Olaf with his surging, power-hungry commanding vocals, like a wicked bloodhound wolf… I promise you, I am not on drugs! Although, there were “sprinkles” on the doghnut earlier and it is Friday night in the middle of Sydney so who knows.

One thing that is often hard to harness, is a clear even sound at a metal show, especially from a band with so many musical elements as Amaranthe. Luckily, I can’t fault the sound mixer, they’ve nicely highlighted all three vocalists, without over-bearing one or another (usually the harsh vocals can drown out the clean vocals) but tonight, nor have the drums, bass or guitar been set out of proportion, it’s like the perfectly blended cocktail, shakin’ not stirred.

As the show finishes with fan favourite ‘Drop Dead Cynical’ and the crowd goes crazy, I notice that the show only went for 75 minutes or so instead of the typical 90 minute headlining set. I don’t feel unsatisfied or left needing more though, the high energy performance with the first ten songs being the more energetic powerful hits, then the last nine being a mix of more emotive slower songs, with the band being connected with the audience no matter what the feeling in the music, was anything but unsatisfying!

I very much look forward to when the fates allow Amaranthe’s glorious return to Australia, likely in larger venues after this memorable visit!