The Coronas @ The Basement Circular Quay, NSW Australia 14/03/2018 written by Brendan Lewis.

I THINK I’M DREAMING AGAIN

Wow, it feels like I’m dreaming…. again, for all I know, I could very well be! I mean, my god, seeing such an addictive dreamy Irish rock band play at such an intimate venue so soon after selling out their previous run of shows only three months ago, surely I must either have all the luck in the world, or be in reality, far from here, not in the real world. These guys with their live shows really do leave you in a dream-state filled with real feels that just won’t leave you alone, with a different ending each time! So….

Let’s make it happen!

This dream is started off on a high, with opening up-beat rockin’ song ‘How This Goes’, followed by dance-provoking Irish-wonder ‘Get Loose’. Lead singer Danny brings the visual energy up to a worthy level of the sound, as much as one can on a tiny stage like this, jiggling and wiggling about like a jolly-wee leprechaun, and keeps the hyped energy sustained like a pro as he says hello and welcomes us in the bridge section of ‘How This Goes’ and again in the intro of ‘Get Loose’. Although I am getting caught up a little with rockin’ out and bustin’ a move to these two favourites of mine, which I somehow manage to still take notes while simultaneously singing and dancing without singing my notes or writing the lyrics, I further multitask by taking notice of the sound mixers well-done job. The lengthy and thorough sound check that I witnessed earlier definitely paid off, as my keen ears don’t detect any faulting sound, and I can clearly hear all the sounds I’m used to hearing on the recorded songs, which makes it easy and pleasant to sing to and get loose to/bust out what I can only imagine is the girliest bum-wiggle!

After Danny discards his tambourine that was used in ‘Get Loose’, and the crowd all wiggle and sing along (mainly me), Danny demonstrates what us Irish do best… talk (hence my job), and gears the crowd up for a few more songs before this show goes live on Facebook for the second half. The first time I saw these guys live in 2015, the bar was set so incredibly high with the accuracy of the performed sound, musical and on-stage energy, musical flow and giant balloons, dazzling light displays and Danny diving into the crowd etc, which isn’t possibly doable in such a small venue. Tonight, the band embraces the intimacy of the venue and use it to bring the casualness even closer to you, with the show being scattered with chatter about song stories and humour between each song, which would normally be detrimental to the flow of energy at a typical larger-scale show.

For the rest of the dream, the band dish out fan favourites like rockin’ power-house ‘Listen Dear’ which gives bassist Knoxy a chance to shine with an attention-grabbing bass line, new feel-good jolly-roger ‘Real Feels’, ‘Closer To You’, ‘Dreaming again’ with a traditional Celtic intro, blues-rock addiction ‘Addicted To Progress’ and breakthrough classic ‘San Diego Song’. For some parts, bassist Knoxy’s energy isn’t matching the rest of the bands dreamy-grooves, but that can be forgiven with how technical his bass-lines are at times like in ‘Listen Dear’ and ‘Addicted To Progress’. Danny keeps on top of the energy however, as he moves from his guitar to the keyboard in songs like ‘The Long Way’ and ‘All The Others’. The casual feel is tightened even more with Danny informing us that it’s Dave’s (lead guitarist) birthday today, and instigates a happy birthday sing-a-long which the crowd fail to stay in-sync to, leading into ‘San Diego Song’, which Danny lets Dave take over as lead vocals as a birthday present in the first verse, giving Dave his chance to shine. This dream takes a more deeper emotive turn with songs like ‘Give Me A Minute’, ‘Someone Else’s Hands’ and the heart-achingly powerful ‘Closer To You’, to the pleading sway of ‘The Long Way’ then lifts straight back up like a dream that you just can’t figure out, with ‘Addicted To Progress’ and ‘Dreaming Again’ which fills the venue with a booming chorus of sing-a-longs to melodic and vocal hooks and cheers. As deep in this dream as the audience clearly is with the energy and positivity blazing around me, the casual setting from the band has seemed to make the audience think it’s perfectly ok to constantly talk which I personally find extremely rude and annoying, like a dog barking next door while you’re trying to sleep.

Now, after a pot-of- gold full of thanks to their audience, and Danny’s energetic excited grooves starting to look like he’s busting to take a massive pee, the band start the final song ‘Mark My Words’ which, hang on, this isn’t the usual pick of grand finale songs, where’s the big last hurrah? After the band leave the stage and the lights come on, I start to awake from this dream a little confused “what about the song the band dropped only this morning ‘Is There Still Time?’, and what about always-played fan favourite ‘Heroes Or Ghosts’?”

Just as I let my guard down and take out my ear-plugs, SURPRISE! Danny gives in to the encore demands and says “ok Sydney we’ll do this one together”. The energy and excitement is exploded as Danny takes turns with the crowd at singing parts of ‘Heroes Or Ghosts’, which he has done at the previous two shows I’ve witnessed, but this time, seems to be involving the audience and feeding off us a little more, taking advantage of the venues intimacy. The rest of the band join Danny on stage for the climax of ‘Heroes Or Ghosts’ and for the next song, the last big hurrah I was expecting, anthemic rock blast ‘Just Like That’. Wow! the energy on stage and off, is peaked dramatically in ‘Just Like That’ even before Danny steps off the stage and sings/plays the guitar in the centre of the audience, lapping up all the positive energy and throwing it right back at the crowd while the band keep the musical energy level elevated, making this a perfect grand finale for any rock show!

As I awaken from this whirlwind of a dream, I’m a little stunned! Getting to witness these Irish legends on the constant rise in such a small casual venue, which let the band really connect with their fans so intimately, was truly a dream come true! I very much look forward to seeing how the band will step up their game when they come back to Australia in November, and play the biggest venues yet for them in the country!

Walking On Cars 'Colours Australian Tour' - Factory Theatre Sydney, November 29 2019

“LIKE A KINDERGARTENER WITH A DULUX COLOUR CHART”

Imagine, if you will, a canvas of vast emptiness and thus possibility. Then just like the big-bang, bringing light, life and colour to the once blank canvas that is our universe. This is poetically fitting for this show tonight, because Irish alternative-rock band Walking On Cars are here in Sydney for the first time ever, to fill this blank canvas with their musical colour, in celebration of their second studio album, ‘Colours’.

And if for no other reason, this show will be memorable surely, seeing as lead singer Patrick told me in a recent interview (interview here) the band walked onto the stage at first, completely naked.

So well, “lads, let’s walk on cars!”...

I’m right up against the stage, there’s no barrier between the crowd and the band, so this could be very awkward if they do walk out naked. I feel rather conflicted that no, they are not, even I can see that thanks to Patrick coming right up to the edge of the stage, nearly standing on my hands, before launching into the first two songs, ‘Too Emotional’ and ‘Don’t Mind Me’.

I had expected the opening song to be the typical choice being the opening song off the touring album, in this case being the darkly wicked rebellion of ‘Monster’, but opening with ‘Too Emotional’ to a backdrop of dazzling lights brings a very suitable uplifting vibrant essence. Although I feel the bass is slightly too potent in the sound mix (only because I’m picking all the pieces apart analytically like Lego), Patrick’s brilliantly controlled falsetto vocals, even while he dances around the stage is the main focal point of colour. This song with it’s bright musical colour mixed with the visual colour in the stage lighting is like a kindergartener taking to a Dulux colour chart sample kit to my Synesthesia!

Although the tone deepens to a solemn deep blue in ‘Don’t Mind Me’, Patrick’s on stage charisma with him taking to a single electric drum pad to accompany the sharp, precise drum strikes keeps the energy in the crowd elevated nicely! This added with the increased urgency-filled cry of emotion in the last chorus caps this song off superbly!

Next we have splashes of colour, ‘Waitin On The Corner’, ‘Always With You’ and ‘Ship Goes Down’. In all three songs, Patrick maintains a high energy to his on-stage charisma, being the common thread that links each musical story to the next. For ‘Waitin On The Corner’, I’m filled with a rich pastel red glow emanating a dance provoking vibe, with all voices in the crowd singing in unison constantly throughout the song. The icing to the feel-good energy cake is Patrick taking to playing a guitar while captivating the audience with his voice. In ‘Always With You’, once my ears become acquainted with what song it is, I’m wondering where the piano intro is? Then I realise it’s there, just not prominent enough which is a bit disappointing. But again, Lego pieces. In ‘Ship Goes Down’ a refreshing cool ice-blue soulful mist settles on the aural palate, and with Patricks full-hearted honesty, the dancing melodies and Patricks on-stage charisma, I feel the atmosphere is quite reminiscent of The Script.

As the set progresses, I’m seeing a lot of blue as far as my Synesthesia is concerned, which is usually a pretty good indication of the songs key being in C, which I mean, come on, that’s pretty normal in mainstream music. However, this show is far from bland and typical! The way the band move from song to song, Patrick swapping guitars, taking to the single drum pad and dancing around the stage whilst perfectly controlling his vocals added with the general musical vibe, is of performance calibre of that of The Script, Imagine Dragons and OneRepublic!

For me personally, the highlights are how well Patrick moves up and down his vocal range, stretching his vocal chords like and accordian, whilst keeping perfect control especially in ‘Love Backs Down’, along with the burst of euphoric energy in ‘Two Stones’ which Patrick perfectly conducts the crowds energy and vocal hook sing alongs. Another crafty element to this song, is the nifty little vocal lick at the end of the songs chorus, being set to be triggered/played at the drum strike of Patrick on the electric drum pad. As well as the addition of female vocals from keyboardist Sorcha in ‘One Last Dance’ with it’s love-struck warmth and Imagine Dragons flavour!

As the show draws close to its end, dishing out deep emotional greens, pleasant bright yellows and pop-typical blues (musical colour I mean), blending a perfect brew of contrasting colours and thus emotions, with both solemn, heavy-hearted minor tones and bubbly, happy uplifting major tones peppered throughout, I’m feeling so glad I came out to witness this memorable show, because before too long, you’ll be paying big-bucks to see them in much, much larger venues, that, I have no doubt!

But all things must come to an end at some point, and the anthemic, rebellion of ‘Monster’ with its chorus hooks that demand full attention and singing along to, is a pretty damn good finish to a bloody good show!

But just like a painter never being fully satisfied with their work and constantly adding final touches, yep, there’s an encore, which is good seeing as we haven't yet witnessed the band’s greatest hit ‘Catch Me If You Can’ yet!

This encore starting off with ‘Catch Me If You Can’ which sprays beaming energy that gets the whole crowd singing along to, also features ‘Coming My Way’, ‘When We Were Kids’ and finally, to my delight, ‘Speeding Cars’. Although ‘Speeding Cars’ is a temptingly pleading song, the vocal hooks and the grand rock-out at the songs close is simply ace, and the perfect final touch to step back from the masterpiece that is this show, and admire with full satisfaction, even with the band not playing ‘At Gunpoint’ as I’d hoped!